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Actividades similares
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1. Hairspray
En Coliseum Theatre, jue, 23 abr 2020 - dom, 19 jul 2020Desde 29,60 €
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2. The Wonderful World of Disney on Ice - London
En SSE Arena Wembley, jue, 2 abr 2020 - dom, 5 abr 2020Desde 31,70 €
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3. Rusalka
En Coliseum Theatre, sáb, 28 mar 2020 - mié, 15 abr 2020Desde 16,20 €
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4. 101 Dalmatians
En Regent's Park Open Air Theatre, sáb, 16 may 2020 - dom, 21 jun 2020Desde 32,40 €
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5. The Marriage of Figaro
En Coliseum Theatre, sáb, 14 mar 2020 - sáb, 18 abr 2020Desde 29,60 €
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6. Madam Butterfly
En Coliseum Theatre, mié, 26 feb 2020 - vie, 17 abr 2020Desde 29,60 €
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7. Life of Pi
En Wyndham's Theatre, mié, 24 jun 2020 - dom, 4 oct 2020Desde 34,90 €
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8. Pretty Woman: The Musical
En Piccadilly Theatre, jue, 13 feb 2020 - jue, 22 oct 2020Desde 122,30 €
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9. Be More Chill
En The Other Palace, jue, 13 feb 2020 - dom, 3 may 2020Desde 63,00 €
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10. Luisa Miller
En Coliseum Theatre, mié, 12 feb 2020 - vie, 6 mar 2020Desde 16,20 €
Actividades similares
The Doctor
Olivier Award winner Juliet Stevenson delivers “one of the performances of the year” (Evening Standard) in the West End transfer of Robert Icke’s sold-out, five-star Almeida Theatre production - from 20th April 2020 at the Duke of York’s Theatre.
First, do no harm.
On an ordinary day, at a private hospital, a young woman fights for her life. A priest arrives to save her soul. Her doctor refuses him entry.
In a divisive time, in a divided nation, a society takes sides.
The latest smash-hit by “Britain’s best director” (Telegraph) is a "provocative, wonderfully upsetting" (Independent) whirlwind of gender, race and identity politics, "one of the peaks of the theatrical year" (Guardian) and a "devastasting play for today" (Financial Times).
First, do no harm.
On an ordinary day, at a private hospital, a young woman fights for her life. A priest arrives to save her soul. Her doctor refuses him entry.
In a divisive time, in a divided nation, a society takes sides.
The latest smash-hit by “Britain’s best director” (Telegraph) is a "provocative, wonderfully upsetting" (Independent) whirlwind of gender, race and identity politics, "one of the peaks of the theatrical year" (Guardian) and a "devastasting play for today" (Financial Times).
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